Wood Stoves On Sailboats

10. März

Mozart KV 188 (240 B) Divertimento for Winds in C major No. 6


Odyssey 5, 1-27

re-discussed in the sky the gods.

Athene tells of Odysseus' imprisonment on Calypso and the murder of the suitors plan against his son, Telemachus.

god Zeus tells Athena to protect Telemachus, the suitors will have to go back empty-handed .

Zeus
Maria Teresia - Colloredo - Leopold Mozart

The trumpet sounds of Mozart could be in heaven when Parliament Götterrat on Mount Olympus.

The Divertimento KV 188 of 1773 has a special position. Due to its unusual instrumentation with two flutes, five trumpets and four drums creates the aural charm of the work, including major Amadé diverse, sometimes His tonal combinations of flutes and the first trumpet pair contribute.

KV 188

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9. März

Mozart KV 166 (159d) Divertimento No. 3 in E flat major ;
KV 186 (159b) Divertimento No. 4 in B flat major

Odyssey 4, 842 - end

the straits between Ithaca and Samos, on the small island Asteris double in the local harbor, conceal the suitors, Telemachus, to ambush and murder

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1773 komponiert Amadé im Auftrag eines Mailänder Gönners zwei Divertimenti : KV 166 und 186 für zehn Bläser. Die fünfsätzige Form ist insofern ungewöhnlich, als zwischen den schnellen Ecksätzen zunächst ein Menuett und darauf zwei langsame Sätze folgen. Mozart verwendet im Schlusssatz KV 186 und im 4. Satz von  KV 166 Skizzen einer Ballettmusik Josef Starz. The third movement of K. 166 is not in the substance of Amadeus, but the middle movement is a three-movement symphony of Italian composer Giovanni Paisiello (1740-1816). Transactions of the kind we dedicate today (especially after the fall of a noble young politician from the summit of all competitors in the shade alternate popularity, in the abyss of the impostor and Plagiateurs) special attention - sometimes not without a frown, because plagiarism is criminal theft of intellectual property.

Veritas vincit

In Mozart's early days, the idea of \u200b\u200bwork as a distinctive intellectual original shape is not formed. The relationship to the creation of another not determined awesome distance, but normal Umgangsart. Bach, Handel and Telemann are recycled not only its own factories for new purposes, but also themes and whole parts of compositions by other composers in their own works acquired and processed, not in the least to the idea of \u200b\u200bcoming to do something wrong. This lack of concern in dealing with foreign songs just offered the chance to deal with creative works of other composers, a way that prevents the modern copyright of the music almost completely.

KV 166: 1 Allegro
KV 166: 3 Andante grazioso
KV 186












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8. März

Mozart KV 185 (167a) Serenade for Orchestra No. 3 in D major
"Antretter Serenade
Odyssey 4, 787-841

Penelope falls asleep on the balcony and has a comforting dream of Athena bestowed:

your sister visited and Iphtime beruhtigt them. Athena even watch over their son Telemachus. Want to know when the dream of Penelope, whether Ulysses is still alive and if so, where he is, it receives no response, as the butterfly Hamadryas joanna vanishes Iphtime ... ;

Hamadryas iphtime joanna

And fly like butterflies often through dreams, we see the awakening of consciousness, the transition from preoperative to operational thinking in the cognitive evolution in several Set in Iliad and Odyssey at Homers dream descriptions.

In siebensätzigen Serenade K. 185 for two flutes or two oboes, two horns, two trumpets, two violins and strings, composed in Vienna in 1773 for family Antretter in Salzburg, Amadeus can float his butterflies. The outer movements, he designed as a sonata movements in festive style with which the second and third set as a violin concerto.

Antretter House

purchase in 1765 chancellor of the Salzburg countryside and War Council Johann Ernst von Antretter and his wife Maria Anna on Mozart 4th place in Salzburg, the former mansion of those Rehlingen of a house with two courtyards and a richly decorated basket-arched portal, which now houses several law firms and the Institute of Musicology of the University Salzburg. Die Beziehungen der Familie Antretter zu den Mozarts sind eng und vielfältig: Sohn Cajetan Antretter ist wie Wolfgang Amadeus Mozart Mitglied der Bölzlschützenkompanie, die Tochter ist Schülerin von Amadés Schwester Nannerl.
 

KV 185: 2. Andante

KV 185: 6. Menuett

KV 185: 7. Adagio - Allegro Assai

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7. März

Mozart KV 184 (161 a) Symphony No. 26 in E flat major

Odyssey 4, 759-786

Penelope prays to Athena for their son Telemachus. The free-spirited lead talk and make noise in the shadowy hall. Antinous warns against too much exuberance, makes a ship in the harbor ready to make his men and he'll board the ship and wait for the night ...

How Telemachus or Antinous Mozart is still looking. The Sinfonie Es-Dur ist anfangs als Ouvertüre zu einem Bühnenwerk konzipiert - die Besetzung mit einem Flöten- und Oboenpaar sieht Amadé immer nur für Theatermusiken vor.

Viele musikalische Ideen dieser 1773 entstandenen Sinfonie Nr. 26  verwendet Mozart in späteren Es-Dur-Werken erneut, wie etwa im Hornkonzert KV 495.


KV 184: 1. Satz
KV 184: 2. und 3. Satz











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6. März

Mozart KV  183 (KV 173 d B) Sinfonie (Nr. 25) g-Moll

Odyssee 4, 735 - 758

Penelope schickt, um Telemach zu retten, nach Laertes. Da gesteht ihr Eurykleia alles und rät ihr, zu Athene zu beten.

Wie Telemach - zum Entsetzen seiner Mutter - , so geht Amadé ebenfalls neue Wege. Die g-Moll-Sinfonie Nr. 25 hat nichts mit der berühmten Sinfonie KV 550 zu tun, es ist die "kleine" g-Moll des jungen Mozart von 1773. Wieder einmal eine Überraschung: Viersätzig unterscheidet sie sich von der Reihe vorangegangener dreisätziger italienischer Ouvertüren-Sinfonien. Die Synkopen und Tremoloeffekte im Kopfssatz erzeugen den neuartigen, vorwärtsdrängenden Charakter; das Menuett ist -  fernab höfischer Tanzstilisierung - dramatisiert, die Ecksätze sind durch rhythmische und motivische Verwandtschaft verknüpft.

Penelope Mozart übrigens und ihr Sohn James Gaspard tauchen 30 Jahre später wieder in Vendig auf ...

KV 183: 1 Set ( or ... ) ( or ... ) ( or ... )

KV 183: 2 Set

KV183: 3 and 4 Set













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5. März

Mozart KV 182 (173D A) Symphony No. 24 in B flat major

Odyssey 4, 703-734

Penelope, still full of horror at the Plan of the suitors who want to waylay Telemachus asks Medon why her son was going sailing. Penelope makes her servants bitter accusations that it had not awakened, they would have known how to prevent the departure of Telemachus.

A similar conflict as between Penelope and her household there in sound and expression the 1773 Symphony No. 24 . in the outer movements with oboes and occupied the middle movement, this is like a stylish serenade: no sound on the oboe more muted violins, flute but a couple. Penelope excitement drowned out clearly from the third movement ...

K. 182

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4. März

Mozart KV 181 (162b) Symphony No. 23 in D major

Odyssey 4, 657-702

Antinous and Eurymachus, the leader of the free band in Ithaca, are angry about the secret departure of Telemachus. Antinous swells the soul from black bile, he rages: "Come, give me a boat, that I can lie in wait for him in the straits between Ithaca and Samos, when he returns!"

herald Medon has been listening, he warns Penelope.

The outer movements of the Symphony No. 23 von 1773,  in Salzburg geschrieben, dienen Amadé vor allem der Demonstration verschiedener Klangeffekte wie Tonleiter, dynamischer Kontrast, Synkope und Fanfarenstöße. Der Mittelsatz wieder ganz Mozart, dessen Melodien wie immer verzaubern, es erklingt ein kantables sizilianoartiges Oboensolo.
Hören wir nicht Göttin Athene im Himmel frohlocken, dass sich alles zum Besten wenden wird?

KV 181













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3. März

Mozart KV 179 (189a) Twelve variations for piano

Odyssey 4, 625-656

in Ithaca in front of the palace of Odysseus while away the suitors with disk and spear throwing Next time. Antinous and Eurymachus, the leader of the Freedom to sit there.

Here comes Noemon and asked when as Telemachus come back from Pylos. He had lent him his boat, which he needed even now to get a mare of Elis. The suitors are perplexed, they think Telemachus somewhere on the field with his cattle.

Antinous wants to know wann Telemach und ob er allein fuhr, ob er bei der Bootsübergabe Gewalt angewendet habe.

Nein, so Noemon, er habe das Boot selbstverständlich freiwillg Mentor überlassen, der ihn für Telemach darum gebeten hatte. Was ihn aber wundere: er habe Mentor gestern des Öfteren gesehen, obwohl dieser doch mit Telemach gesegelt sei.

Wie Telemachs Aktionen gegen die Freier sich ändern, so wächst die Kompositionskunst Mozarts. Die Variationen sind adäquate Begleitung für Freier und Residenzen ...
Die 1774 komponierte Variationenfolge in C-Dur über ein Menuett des Oboenvirtuosen J. C. Fischer, den Mozart während seiner Holland-Reise 1766 kennen gelernt hat, ist bedeutend umfangreicher und kunstvoller ausgeführt als die vorhergehenden Klaviervariationen. Deutlich spürbar ist der Einfluss von Amadés Vorbild Joseph Haydn. Das schlichte Thema ändert Mozart vielfach auf interessante Weise: Die zweite Variation legt er kontrapunktisch an, in der neunten Variation überrascht er uns durch das wiederholte sprunghafte Versetzen der Melodie um drei Oktaven.

KV 179

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2. März

Mozart KV 176 16 minuets

Odyssey 4, 593-624

Telemachus in Sparta: he asks Menelaus to let him go again. He it should also not make a present of horses, to Ithaca, he could not take it anyway. Ithaca is a small and barren island, only goats could keep it there.

Instead, it gives Menelaus a jug of refined silver, which he himself once received from King Phädimos Sidonie as a gift.

Then dinner is served.

At the banquet at Menelaus and Helen in Sparta plays on Amadeus. He is a passionate dancer, writes all his life over and over again minuets and German, ländler and country dances for the ballroom. KV 176 he wrote for the court orchestra of Count Czernin. is particularly striking in this Menuettfolge the imaginative instrumentation, in which the bassoon comes out from his usual role as a bass instrument and emancipated themselves into an impressive instrument melodies.

KV 176: 1
KV 176: 2
KV 176: 3
KV 176: 4
KV 176: 5
KV 176: 6
KV 176: 7
KV 176: 8
KV 176: 9
KV 176: 10
KV 176: 11
KV 176: 12
KV 176: 13
KV 176: 14
176 KV: 15
KV 176: 16












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Kandidaten für 2011 "Die souveräne Persönlichkeit"

The role of diversity of modern women

Prof. Dr. Ulrike Detmers - superior entrepreneur relies on the strength of the family

Credit: Mestemacher / agency Baganz

was the ambition aroused, as Ulrike Detmers at the age of 17 years and with the desire to study business administration, from her former friend heard: "The manage you never! "The well guarded raised Officials daughter thought "Now more than ever," and showed the 7 years older than Albert Detmer, with whom she is now married yet, that a woman with a vision can not be quickly diverted from their path.

the exact opposite: Prof. Dr. Ulrike Detmers has been completed at that time not only the program successfully, but is her husband, in addition to her work as a professor in the Department of Business and Health at the University of Bielefeld, for many years in the management of Mestemacher- group to the side. But not only that: As the daughter, wife, mother of two children and, now, Prof. Dr. Ulrike grandmother lives Detmers mit vier Generationen unter einem Dach und kämpft für die Gleichberechtigung: „Es  muss selbstverständlich sein, dass Frauen Mütter werden und Unternehmen führen. Dafür müssen aber auch Männer es als selbstverständlich sehen, sich gemeinsam mit der Partnerin um Haushalt und Kinder zu kümmern.“ Aus diesem Grund hat sie als Initiatorin schon zahlreiche soziale Projekte zur Förderung der Gleichstellung von Frau und Mann in der Wirtschaft und zur Erhöhung des Anteils weiblicher Führungskräfte im Top- und Mittelmanagement ins Leben gerufen.

Seit 2006 wird z. B. der Mestemacher Preis Spitzenvater des Jahres vergeben, bereits a few years longer, there is the price Mestemacher Manager of the Year Award and the KITA, just to name a few. Understood that the power woman has been commended for this commitment itself has numerous awards, 2008 with the Federal Cross of Merit. I n their role diversity is Prof. Dr. Ulrike Detmers in every way a role model for women of all ages to get their way. What special properties, the professor and entrepreneur as sovereign personality characterized, analyzed Theo Bergauer of the Institute of sovereignty ( www.souveränität.com ) in Ratingen:

Here you will find the special properties of Prof. Dr. Detmers .......

How Many Minutes Of Light Do We Gain Each Day

1. März

Mozart KV 173d/345 (336a) Thamos, king of Egypt
; ; Choruses and interludes

Odyssey 4, 561-592

Proteus, the old man divine and infernal God prophesied the Menelaus how this relates, further, the gods would guide him in the Elysian hall, where Rhadamanthus lives, then dived into the sea, Proteus. He drove Menalaos, up the Nile, built a tomb of Agamemnon, and then they brought favorable winds in the home.

Menelaus invites Telemachus, but noch 11 oder 12 Tage zu bleiben.

Menalaos ist in Ägypten unterwegs und Philipp Freiherr von Gebler, der herrschenden Äyptenmode verpflichtet und von Terrassons Heldenroman 'Séthos' stark beeinflusst, schreibt das Stück Thamos, König in Ägypten 1773 in Dresden als Krönung seines Werkes; er beauftragt ursprünglich J. T. Sattler, dann Mozart mit der Vertonung der zwei Chorszenen.

Die Bühnenmusik verwendet Mozart später übrigens noch zwei Mal:

Amadé can start and final chorus provided with Latin texts, the heroic music is church music ( Splendente te, Deus and Ne pulvis et cinis (App. 121, 122)) - early 19th In this century than any actual use of successful church music of Mozart! Later, it influenced
Gebler also multiply the Magic ...
Beehoven And still later in its 9th Symphony ...


KV 345 (336a): 1st Chorus "All you depart, Sun
KV 345 (336a): 2. Nach dem Ersten Act Maestoso 
KV 345 (336a): 3. Nach dem 2ten Act Andante  
KV 345 (336a): 6. Chor "Gottheit, Gottheit, über alle"  



1. Chor

PRIESTER, JUNGFRAUEN
Schon weichet dir, Sonne, des Lichtes Feindin, die Nacht!
Schon wird von Ägypten dir neues Opfer gebracht:
Erhöre die Wünsche! dein ewig dauernder Lauf
Führ' heitere Tage zu Thamos' Völkern herauf!

PRIESTER
Der munteren Jugend
Gib Lenksamkeit, Tugend,
Den Männern Mut!
Nach tapfern Taten
Weisheit zum Raten,
Allen gib Vaterlandsblut!

PRIESTER, JUNGFRAUEN
Erhöre die Wünsche! dein ewig dauernder Lauf
Führ' heitere Tage zu Thamos' Völkern herauf!

JUNGFRAUEN
Ägyptens Töchter
Sei'n ihrer Geschlechter,
Der Gatten Zier!
Vergnügt, im stillen Pflicht
zu erfüllen,
Blühend und jahrvoll wie wir!

PRIESTER
Gekrönt vom Siege,
Schreck' Thamos enemies in war
The Kingdom!

VIRGINS
Lead us both by instincts,
care and love,
king and father!

No. 6 Chorus

PRIESTS, YOUNG WOMEN
deity, deity of all powerful!
always new and always beautiful!
you worshiped Egyptian empire. Ascending
without falling ever
Let's first empire in all,
Just like him even in size!

PRIEST
From the lunch hot sands
Until the distant sea-shore
Wölkt the smoke of sacrifice rose. Early on
drown our songs, hymns
brings the evening again,
never cease, our choir.

VIRGINS
As further temple halls
Under the trumpet
Gentle flute magic sound: Sun
mingles, Osiris' sons!
our song in your notes,
sun! you a song of praise.

A PRIEST
What swear the mouth of the prince,

A VIRGIN
what he hears from his people,

BOTH
Be good to both the bottom!

A PRIEST
He hold us,

A VIRGIN
we trust the throne;

A PRIEST
father worried

A VIRGIN
love as a reward,

BOTH
When the checkered waistband.

PRIESTS, YOUNG WOMEN
deity of all powerful!
always new and always beautiful!
you worshiped Egyptian empire. Ascending
without falling ever
Let's first empire in all,
Just like him even in size!

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28. Februar

Mozart K. 175 Concerto for Piano

Odyssey 4, 538-560

Menelaus tells Telemachus he began to weep bitterly to, as he must learn from Proteus the murder of his brother Agamemnon. The God encouraged him but to hurry up, maybe he hit the killer then even if Orestes did not already killed. From Ulysses knew
it only this much: He was being held by the nymph Calypso on her island by force. He was neither rower nor a ship to get away from there.

Like Odysseus from Kalypso, so feel trapped father and son in the unpopular Salzburg service they provide according to half-heartedly. The hope for a permanent position in Italy has broken out and the trial of Leopold in the summer of 1773, to reach something with the Empress. unsuccessful

Amadé goes in this time when innumerable sacred works, Divertimenti, string quartets, piano sonatas and symphonies emerge, unperturbed the path of the innovator. The late puberty, the youthful conductor has to run in socially controlled manner, his 'Sturm und Drang' he experiences the more audible in his music. His urge to move, who can often "in the room like a dog flea" go look for a way out, away from Salzburg.

dates from this period, the first self-composed piano concerto KV 175th is the focus of dialogue between piano and orchestra. Unusually for the time is not obvious casting of strings, two oboes, horns, trumpets and timpani.

Mozart has his first concert for a long lasting taste. In the concert, he shows ambitious access not only to choose the 'brilliant' key of D major and large orchestra, but especially in the masterly and original handling of the form, in the balanced interplay between soloist and orchestra, in the orchestration (especially the Andante ma un poco Adagio ) and in the way he uses musical ideas to each other.
The unconventional set is undoubtedly the final , a sonata, which crowns the work with a surprising semi-ironic combination 'learned' and 'gallant' style elements. Amadé begins with a canon-led main theme, followed by a dance- syncopated reconciliation and a very buffoonesque page set.
He later replaced by the way the 3rd Set by a fascinating Allegretto grazioso (KV 382)

K. 175: 1st Allegro
K. 175: 2nd Andante ma un poco Adagio
K. 175: 3rd Allegro

K. 175: 1st Allegro
K. 175: 2nd Andante ma un poco Adagio
K. 175: 3rd Allegro


buffoonesque from Buffo (ital: funny, funny) = in opera and operetta tenor (Tenorbuffo) or bass (basso buffo), which is in the play because of his role in the comedy charge













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27. Februar

Mozart K. 135 Lucio Silla

Odyssey 4, 512-537

reported and further God Proteus, so Menelaus told him about the return of the Greeks:
his own, the Menealaos' brother Agamemnon had at Cape Maleia assaulted a storm, he had been driven far, but finally gets to the native shore, which he welcomed with hot tears. A scout told the Aegisthus his arrival. This taught criminals to slip a banquet to receive the Agamemnon, in which he killed him and his entire entourage.

Italy is waiting for Amade. Milan ordered an opera for the next carnival. In October 1772 adopted Leopold and the third son of his wife and sister, ten days later a hit in Milan.
It is creditable to the young Mozart, composing in the Carnival season 1772/73 the first of the two traditional operas. Mozart for the duration of his stay in Milan a furnished apartment and for his artistic endeavors ("virtuoso fatiche"), to which, besides the composition noch die Probenarbeit und die musikalische Gesamtleitung zählen, ein zwar anständiges, aber nicht glänzendes Honorar geboten.
Für die gesamte Vorbereitungszeit bleiben knappe drei Monate. Schließlich muss noch die Titelrolle umbesetzt werden, der Tenor erkrankt.
Aus Amadés Brief: " Nun hab noch 14 stuk zu machen, dann bin Ich fertig, treulich kan man das Terzet und Duetto für 4 stück rechnen. Ich kan ohnmöglich viell schreiben, dan ich weiß nichts, und zweitens weiß ich nicht wass ich schreibe, indem ich nun immer die gedanken bey meiner opera habe, und gefahr laufte, dir anstatt worte eine ganze Aria herzuschreiben."

Unter diesen Bedingungen bleibt nur Staunen über das hohe Niveau von Text, Musik und Ausführung.

Thema ist die moralische Wende des Diktators Lucio Silla, der die Braut des Helden Cecilio begehrt.
Als dieser sich mit dem Schwert gegen den unsittlichen Antrag Sillas wehrt, wird er dem Kerker und schließlich dem Tod überantwortet. In letzter Minute entlässt der Tyrann Cecilio samt Geliebte in die Freiheit.
Amadé dramatisiert die unheilschwangeren Stimmungen und menschlichen Passions with new and surprising musical turns. On this opening night of the 26th December 1772 guessed it, where will the journey of the other sixteen year olds will, away from artificial structures, to living situations, with the dramatic conflicts of the characters on stage no less dramatic involvement of the people identify with themselves and others. The murder of Agamemnon, a classic example ...





KV 135: Ouverture
KV 135: 11th Aria A se il crudel periglio



Aria
GlUNIA
Ah se il crudel periglio
Del caro ben rammento
Tutto mi fa spavento
Tutto gelar mi fa.

Se per si cara vita
Non veglia l'amistà                                  
Da chi sperare aita
Da chi sperar pietà?  


Ach, wenn ich mich an die grausame Gefahr
Meines Geliebten erinnere,
Wird mir alles zum Schrecken,
Alles läßt mich erstarren.

Wenn die Freundschaft
Nicht über seinem teuren Leben wacht,
Von wem ist dann Hilfe zu erhoffen,
Von wem Erbarmen? 


When l think of the terrible danger
Of my beloved
l am seized with horror,
My blood turns to ice.

If friendship does not watch
Over his precious life,
Where can l look for help,
Where can l look for pity?













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26. Februar

Mozart K. 126 Il sogno di Scipio

Odyssey 4, 484-511

Menelaus reports from the island of Pharos. god Proteus Menelaus told him about the return of the other Greeks:
Only two commanders were killed, one captured alive, mittten in the sea.
Ajax have too much boasted to the gods when he was saved in spite of a storm. Poseidon split angry with his trident the rock gyräischen and the part of the cliff, sat on the Ajax, sank in the sea , Ajax was drowned in the salty tide.

Amadé sits on the short opera II sogno di Scipione, a drammatica Serenata, designed for performance in the Salzburg Residenz of the Prince Bishop for the priesthood anniversary . As Schrattenbach dies, successor to the Colloredo plan occurs, Mozart works flexibly and quickly to the Serenata and changes their dedication.
The setting of the libretto by Metastasio - the material he has from Cicero - gets rid of Mozart more thanks to routine than artistic creative will of the sovereign with the appointment of the young composers -. Now salaried - archiepiscopal second conductor.

The overture leads to a marked D-major Allegro in most of oboes and flutes specific Andante in the first scene.
the terrible . Dream of the Roman commander Scipio still struggle for recognition, mind and soul as immortal Scipio presented - as Telemachus and Amadeus - is forced to decide: he wants - who does not? - Remain in heaven ...
Constanza out at the cliff: it was only resistant (Poseidon at Ajax was stronger!) ...

KV 126: Ouverture
KV 126: 9 Aria Biancheggia in mar lo scolio

Aria
CONSTANZA
Biancheggia in mar lo Scoglio,
Par che vacilli, e pare
Che lo sommerga Fatto il mare
Maggior Tues sé.

Ma dura tanto a orgoglio
combattuto Quel sasso;
e 'l mar tranquillo e il basso
poi gli lambisce pie.


White bathed, the rock seems to waver
In the sea. Seems to devour

him the towering seas.

But the embattled stone
Does stood with pride.
The flat, calm sea
then licks his feet.


In the ocean the rock turns white
and appears to waver, and it seems that
the sea, towering above it,
may submerge it.

But that battered stone
proudly survives;
and then the sea,
calm and quiet,
laps its feet.














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25. Februar

Mozart KV 136 (125a) Divertimento in F major

Odyssey 4, 462-483

Menelaus tells Telemachus when visiting in Sparta on his experiences at Pharos of Egypt. have
He and his men mit dem Trick Eidotheas den Proteus zwischen seinen Robben überwunden. Der alte Gott redet mit ihnen.
Menelaos fragt, warum er ihn hier festhalte und wie er endlich nach Hause gelange.
Es sei, so Proteus, Ratschluss von Zeus und der anderen Götter gewesen, weil er schneller als die anderen Schiffe heimsegeln wollte. Nun müsse er zuerst den Nil hinauffahren und mit Opfern alle Sterblichen sühnen.

Auch Mozart muss durch die Salzburger Zeit - er fügt sich,  schreibt Sinfonien und Divertimenti, sucht individuelle Audrucksmöglichkeiten, die own musical language. Divertimento K. 136, by Menuhin, Staribacher and Greenberg played brilliantly, makes us feel the breadth of this music deeply.

K. 136: 1 Allegro
K. 136: 2 Andante
K. 136: 3 Presto















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24. Februar

Mozart KV 110 (75b) Symphony No. 12 in G major

Odyssey 4, 425-461

Once the demigod Eidothea with Menelaus, we are told that further has agreed on the beach at Pharos, pick him up the next morning to the Grotto, she jumped back into the sea.
The next morning appeared Eidothea again, brought four seal skins and wrapped Menelaus and his three companions on a beach. The stench of the seals they had almost killed them stressed the goddess ambrosia under their noses.
The seals were encamped around them, at noon came the old Proteus, was one of the seals, and got under it.
asleep as he, she pounced on him. He transformed himself into a lion, leopard, dragon, boar, and waterfall. They held on to him anyway. At last he was tired and began to talk.

So it must have sounded in Mozart's ear when he Symphony in G major (KV 110) . has been completed. Amadé signs

"Sinfonia dell Sgr. Cavaliere Amadeo Wolfg. Salisburgo nel Juglio Mozart in 1771"

The symphony is breathing a new spirit. Not only by the amount, but also by the au ß erordentlichen care here, with the Mozart prepares every vote, this orchestral work differs from all previous. The Ba ß serves not only as a harmonic foundation, but goes as sovereignty of ä n set voice in a musical event sent from the counterpoint of the structured life of their own inner voices exp ä is gt.

How did it sound like the old Proteus in the ears, and his demonstrated Straribacher Mozartband - unmistakable: Terrific!

KV 110: 1 Allegro
KV 110: 2 Andante
KV 110: 3 Menuetto
KV 110: 4 Allegro (Mozart Band)

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Mozart KV 113 Divertmento Nr. 1 Es-Dur

Odyssee 4, 394 - 424

Menelaos erzählt dem Telemach in Sparta von seinen Erlebnissen auf der Rückfahrt von Troja. Am Strand der ägyptischen Insel Pharos verriet ihm die Halbgöttin Eidothea, wie er den Meergott Proteus überliste:

Kurz nach der Mittagsstunde steige Proteus aus dem Meer und ruhe in einer Grotto surrounded floßfüßiger seals. There she would take him the next morning with three of his bravest comrades. Proteus number his seal and place then in the midst of them to sleep. At that moment they should throw themselves on him and finding out how much he was defending itself, too. But if he say a word, she should abandon him and question him.

such difficult tricks not like Proteus Amadè be making his second Italeinaufenthalt Apply to be inspired. Mozart used in any event since then - like the first time in Divertimento No. 1 - Clarinet. There, he puts them together against the strings and horns.

KV 113












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KV 112 Mozart Symphony No. 13 in F major

Odyssey 4, 364-393

Menelaus tells Telemachus to the next how he fared on the island of Pharos of Egypt.
On the beach he met the demigod Eidotha. She explained that the Egyptian god Proteus, it maintained. If he has to list that he could learn from him the right course and all that had happened at home.

As Menelaus of Proteus learns the course, Mozart has learned everything important in Italy for composing.

Amade writes already there piece by piece. his Symphony No. 13 in F Major, KV 112, 1771 in Mailand entstanden, steht im strengen Sonatensatz, ein monothematisches Andante und ein von Jagd-Motivik geprägtes Finale im Gigue-Rhythmus.

Das Allegro klingt, wenn es die Mozartband spielt, wie heute - und wie immer: nach Amadé ...

KV 112: 1. Allegro
KV 112: 2. Andante
KV 112: 3. Menuetto Trio
KV 112: 4. Molto Allegro (Rondo)












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K. 111 Mozart Ascanio in Alba

Odyssey 4, 332-363

Telemachus in Sparta.

enraged Menelaus of the suitors, Odysseus wishes to bring about the strong, who spoil their fun suitors would quickly and thoroughly.
him even further, Menelaus, were on the way back from Troy to Sparta, the gods 20 days on the island of Pharos, far out in front of the mouth of the Nile held. He was locked in a safe harbor, because never fair wind to continue sailing, came the supplies were running low.

Archduke Ferdinand d'Este and Princess

Archduke Ferdinand was also a free, 14 Child of Empress Maria Theresa, his game with Princess D'Este, but was resolved by diplomatic means, true to the motto Bella gerant alii, tu felix Austria nube. The seventeen-year to with Maria Beatrix of Este, the only daughter of be the Prince of Modena, married to - he is engaged to her earliest since childhood and they shall inherit the principality. For this ceremony composed Mozart - under the mediation of the Milanese Governor General Earl Firminan - a "Serenata teatrale " to a libretto by Parini court poet: it is the information transmitted in the ancient mythology representation of the "Wedding of the Year". Mozart had been with Mitridate already successful and now writes the young master, as always in a hurry (the libretto is very late) that actually unplayable piece from the time of Odysseus. There is more applause than hatred (hatred: "This boy is make us forget all! ") main piece for the wedding. Ascanio in Alba five plays will be performed. Leopold and Wolfgang Mozart, a second email with your own coach Gene Italy are down.
designed Wonderfully safe and effective in the Amadeus lyrical character of the idyllic scene, and the desired treat. A work of art with beauty, character and special beauty.

Unfortunately, Mozart's plan does not. The work has pleased the audience , the archduke will show weighed, but Maria Theresa was raised across: She writes the son from "useless people who distance themselves running around in the world as beggars".

The Italian's dream is over, the disappointed artist will be returned to Salzburg reality where Prince Archbishop Hieronymus Count Collo redo after the death of Archbishop Sigismund of Schrattenbach assumes the regency, he is the last to drive him in 1800 French ...

The marriage of Ferdinand Karl and Maria Beatrice runs by the way happy. 1780 Napoleon sells but also him and his family from Lombardy, they go to Vienna.

KV 111: Overtura

K. 111: 16 Aria Ah, di si Nobil alma

K. 111: 22 Aria Al mio ben Wed Veggio avanti
KV 111: 32: Terzetto nodo più sacro

16th Aria
ASCANIO
Tues Ah sì Nobil alma
Quanto vorrei parlar.
Se le virtu di lei
Tutte Saper pretendi

Chiedile a questo cor. Solo un momento
in
Lasciami calma, o Diva,
Lasciami e poi Di tanti suoi pregi
Potro parlarti allor.

Oh, how much I should like to say
About this pure soul!
Who know all her virtues
required.
question this heart.

Just a moment reflection
Let me, oh goddess,
And all of their high values
Will I be able to call.



aria 22
ASCANIO
Al mio ben Wed Veggio avanti
Del suo cor sento la pena e la legge
ancor Frena Wed.
Ah si il crudo Rompa laccio
Abbastanza soffrì il cor.

Se pieta dell'alme amanti
Bella Diva, il sen ti move,
Non voler fra tante prove
Agitarle ognor cosi.

the love I see before me,
Feel the pain in her heart. But
holds me back the ban.
The hard band to break I want.
Enough already suffered the heart.

können Liebe, oh schöne Göttin,
Mitleid rühren Deine Brust zu, nicht durch neue Prüfung
Bring
Neuen Aufruhr in ihr Herz.


32 Threesome
ASCANIO
What a pleasure I feel in
is blessed day.

SILVIA
gods! Heavens! What a great time
How nice happy
My fear was over.

Ascanio, SILVIA E Acestes
most sacred ground node
More sweet love is not
Ouanto compassionate Goddess Welch hohe Freude ich fühle
An demselbigen Tag.

SILVIA
gods, gods! What a moment.
ended, as the fear
In beautiful peace.

ASCANIO, SILVIA AND Acest
No band on earth more sacred
And no sweeter love.
you, merciful goddess,
we owe so much.
dobbiamo Quanto a te.

action
goddess Venus appears with his entourage and his son Ascanio in Alba. Venus Ascanio says, he should govern here. Ascanio asks Silvia, a nymph. The priest Acest is busy with wedding preparations. The shepherds are compared with Fauno Ascanio from a stranger. He explained Fauno, er wolle hier bleiben. Aceste teilt den Hirten mit, dass heute der Sohn des Aeneas sich mit Silvia vereinen werde. Silvia verrät, dass sie schon lange das Bild eines jungen Mannes vor sich sehe, den sie liebe. Der Priester: dieser Jüngling ihrer Träume sei unzweifelhaft Ascanio. Venus verspricht ihrem Sohn, dass hier im Tal bald eine neue Stadt, Alba, entstehen werde.  Silvia erkennt Ascanio sofort als den Fremden ihrer Träume. Fauno weist "den Fremden" an, über die Hochzeit und die zukünftige Stadt zu berichten. Silvia denkt, der Fremde sei nicht Ascanio und ist tief betrübt, schickt sich aber in ihr Schicksal. Bei der Hochzeit vereint Venus die Liebenden
Ascanio in Alba ist a typical allegory is in the Ascanio for the Archduke, Venus Maria Theresa, the bride, Beatrice, symbolized by the Silvia you have to pass a test first.











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Waiting will not help not

promotion comes naturally

Britta Schmeiser, dpa, N24

The motto "If I'm doing my job well, I will be promoted at some point "rarely leads to the goal. Who wants a career, needs a plan and reaching out towards his boss.

to interview preparation should include a simuliertes Gespräch gehören. "Da ist man zumindest annährend in der Situation, und es kommen möglicherweise unerwartete Antworten, Fragen oder Bemerkungen, die dann schulen", sagt Bergauer. Nicht unterschätzen sollte man die unmittelbare Zeit vor dem tatsächlichen Gespräch mit dem Chef. "Man kann das nicht mal eben machen, deswegen sollte man dafür sorgen, dass man in einer positiven Stimmung ist, konzentriert und nicht gerade von einem anderen Termin dahingehetzt kommt", rät Bergauer.

Hier geht's weiter.....