Mozart K. 126 Il sogno di Scipio
Odyssey 4, 484-511
Menelaus reports from the island of Pharos. god Proteus Menelaus told him about the return of the other Greeks:
Only two commanders were killed, one captured alive, mittten in the sea.
Ajax have too much boasted to the gods when he was saved in spite of a storm. Poseidon split angry with his trident the rock gyräischen and the part of the cliff, sat on the Ajax, sank in the sea , Ajax was drowned in the salty tide.
Amadé sits on the short opera II sogno di Scipione, a drammatica Serenata, designed for performance in the Salzburg Residenz of the Prince Bishop for the priesthood anniversary . As Schrattenbach dies, successor to the Colloredo plan occurs, Mozart works flexibly and quickly to the Serenata and changes their dedication.
The setting of the libretto by Metastasio - the material he has from Cicero - gets rid of Mozart more thanks to routine than artistic creative will of the sovereign with the appointment of the young composers -. Now salaried - archiepiscopal second conductor.
The overture leads to a marked D-major Allegro in most of oboes and flutes specific Andante in the first scene.
the terrible . Dream of the Roman commander Scipio still struggle for recognition, mind and soul as immortal Scipio presented - as Telemachus and Amadeus - is forced to decide: he wants - who does not? - Remain in heaven ...
Constanza out at the cliff: it was only resistant (Poseidon at Ajax was stronger!) ...
KV 126: Ouverture
KV 126: 9 Aria Biancheggia in mar lo scolio
Aria
CONSTANZA
Biancheggia in mar lo Scoglio,
Par che vacilli, e pare
Che lo sommerga Fatto il mare
Maggior Tues sé.
Ma dura tanto a orgoglio
combattuto Quel sasso;
e 'l mar tranquillo e il basso
poi gli lambisce pie.
White bathed, the rock seems to waver
In the sea. Seems to devour
him the towering seas.
But the embattled stone
Does stood with pride.
The flat, calm sea
then licks his feet.
In the ocean the rock turns white
and appears to waver, and it seems that
the sea, towering above it,
may submerge it.
But that battered stone
proudly survives;
and then the sea,
calm and quiet,
laps its feet.
.
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