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1. März

Mozart KV 173d/345 (336a) Thamos, king of Egypt
; ; Choruses and interludes

Odyssey 4, 561-592

Proteus, the old man divine and infernal God prophesied the Menelaus how this relates, further, the gods would guide him in the Elysian hall, where Rhadamanthus lives, then dived into the sea, Proteus. He drove Menalaos, up the Nile, built a tomb of Agamemnon, and then they brought favorable winds in the home.

Menelaus invites Telemachus, but noch 11 oder 12 Tage zu bleiben.

Menalaos ist in Ägypten unterwegs und Philipp Freiherr von Gebler, der herrschenden Äyptenmode verpflichtet und von Terrassons Heldenroman 'Séthos' stark beeinflusst, schreibt das Stück Thamos, König in Ägypten 1773 in Dresden als Krönung seines Werkes; er beauftragt ursprünglich J. T. Sattler, dann Mozart mit der Vertonung der zwei Chorszenen.

Die Bühnenmusik verwendet Mozart später übrigens noch zwei Mal:

Amadé can start and final chorus provided with Latin texts, the heroic music is church music ( Splendente te, Deus and Ne pulvis et cinis (App. 121, 122)) - early 19th In this century than any actual use of successful church music of Mozart! Later, it influenced
Gebler also multiply the Magic ...
Beehoven And still later in its 9th Symphony ...


KV 345 (336a): 1st Chorus "All you depart, Sun
KV 345 (336a): 2. Nach dem Ersten Act Maestoso 
KV 345 (336a): 3. Nach dem 2ten Act Andante  
KV 345 (336a): 6. Chor "Gottheit, Gottheit, über alle"  



1. Chor

PRIESTER, JUNGFRAUEN
Schon weichet dir, Sonne, des Lichtes Feindin, die Nacht!
Schon wird von Ägypten dir neues Opfer gebracht:
Erhöre die Wünsche! dein ewig dauernder Lauf
Führ' heitere Tage zu Thamos' Völkern herauf!

PRIESTER
Der munteren Jugend
Gib Lenksamkeit, Tugend,
Den Männern Mut!
Nach tapfern Taten
Weisheit zum Raten,
Allen gib Vaterlandsblut!

PRIESTER, JUNGFRAUEN
Erhöre die Wünsche! dein ewig dauernder Lauf
Führ' heitere Tage zu Thamos' Völkern herauf!

JUNGFRAUEN
Ägyptens Töchter
Sei'n ihrer Geschlechter,
Der Gatten Zier!
Vergnügt, im stillen Pflicht
zu erfüllen,
Blühend und jahrvoll wie wir!

PRIESTER
Gekrönt vom Siege,
Schreck' Thamos enemies in war
The Kingdom!

VIRGINS
Lead us both by instincts,
care and love,
king and father!

No. 6 Chorus

PRIESTS, YOUNG WOMEN
deity, deity of all powerful!
always new and always beautiful!
you worshiped Egyptian empire. Ascending
without falling ever
Let's first empire in all,
Just like him even in size!

PRIEST
From the lunch hot sands
Until the distant sea-shore
Wölkt the smoke of sacrifice rose. Early on
drown our songs, hymns
brings the evening again,
never cease, our choir.

VIRGINS
As further temple halls
Under the trumpet
Gentle flute magic sound: Sun
mingles, Osiris' sons!
our song in your notes,
sun! you a song of praise.

A PRIEST
What swear the mouth of the prince,

A VIRGIN
what he hears from his people,

BOTH
Be good to both the bottom!

A PRIEST
He hold us,

A VIRGIN
we trust the throne;

A PRIEST
father worried

A VIRGIN
love as a reward,

BOTH
When the checkered waistband.

PRIESTS, YOUNG WOMEN
deity of all powerful!
always new and always beautiful!
you worshiped Egyptian empire. Ascending
without falling ever
Let's first empire in all,
Just like him even in size!

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28. Februar

Mozart K. 175 Concerto for Piano

Odyssey 4, 538-560

Menelaus tells Telemachus he began to weep bitterly to, as he must learn from Proteus the murder of his brother Agamemnon. The God encouraged him but to hurry up, maybe he hit the killer then even if Orestes did not already killed. From Ulysses knew
it only this much: He was being held by the nymph Calypso on her island by force. He was neither rower nor a ship to get away from there.

Like Odysseus from Kalypso, so feel trapped father and son in the unpopular Salzburg service they provide according to half-heartedly. The hope for a permanent position in Italy has broken out and the trial of Leopold in the summer of 1773, to reach something with the Empress. unsuccessful

Amadé goes in this time when innumerable sacred works, Divertimenti, string quartets, piano sonatas and symphonies emerge, unperturbed the path of the innovator. The late puberty, the youthful conductor has to run in socially controlled manner, his 'Sturm und Drang' he experiences the more audible in his music. His urge to move, who can often "in the room like a dog flea" go look for a way out, away from Salzburg.

dates from this period, the first self-composed piano concerto KV 175th is the focus of dialogue between piano and orchestra. Unusually for the time is not obvious casting of strings, two oboes, horns, trumpets and timpani.

Mozart has his first concert for a long lasting taste. In the concert, he shows ambitious access not only to choose the 'brilliant' key of D major and large orchestra, but especially in the masterly and original handling of the form, in the balanced interplay between soloist and orchestra, in the orchestration (especially the Andante ma un poco Adagio ) and in the way he uses musical ideas to each other.
The unconventional set is undoubtedly the final , a sonata, which crowns the work with a surprising semi-ironic combination 'learned' and 'gallant' style elements. Amadé begins with a canon-led main theme, followed by a dance- syncopated reconciliation and a very buffoonesque page set.
He later replaced by the way the 3rd Set by a fascinating Allegretto grazioso (KV 382)

K. 175: 1st Allegro
K. 175: 2nd Andante ma un poco Adagio
K. 175: 3rd Allegro

K. 175: 1st Allegro
K. 175: 2nd Andante ma un poco Adagio
K. 175: 3rd Allegro


buffoonesque from Buffo (ital: funny, funny) = in opera and operetta tenor (Tenorbuffo) or bass (basso buffo), which is in the play because of his role in the comedy charge













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27. Februar

Mozart K. 135 Lucio Silla

Odyssey 4, 512-537

reported and further God Proteus, so Menelaus told him about the return of the Greeks:
his own, the Menealaos' brother Agamemnon had at Cape Maleia assaulted a storm, he had been driven far, but finally gets to the native shore, which he welcomed with hot tears. A scout told the Aegisthus his arrival. This taught criminals to slip a banquet to receive the Agamemnon, in which he killed him and his entire entourage.

Italy is waiting for Amade. Milan ordered an opera for the next carnival. In October 1772 adopted Leopold and the third son of his wife and sister, ten days later a hit in Milan.
It is creditable to the young Mozart, composing in the Carnival season 1772/73 the first of the two traditional operas. Mozart for the duration of his stay in Milan a furnished apartment and for his artistic endeavors ("virtuoso fatiche"), to which, besides the composition noch die Probenarbeit und die musikalische Gesamtleitung zählen, ein zwar anständiges, aber nicht glänzendes Honorar geboten.
Für die gesamte Vorbereitungszeit bleiben knappe drei Monate. Schließlich muss noch die Titelrolle umbesetzt werden, der Tenor erkrankt.
Aus Amadés Brief: " Nun hab noch 14 stuk zu machen, dann bin Ich fertig, treulich kan man das Terzet und Duetto für 4 stück rechnen. Ich kan ohnmöglich viell schreiben, dan ich weiß nichts, und zweitens weiß ich nicht wass ich schreibe, indem ich nun immer die gedanken bey meiner opera habe, und gefahr laufte, dir anstatt worte eine ganze Aria herzuschreiben."

Unter diesen Bedingungen bleibt nur Staunen über das hohe Niveau von Text, Musik und Ausführung.

Thema ist die moralische Wende des Diktators Lucio Silla, der die Braut des Helden Cecilio begehrt.
Als dieser sich mit dem Schwert gegen den unsittlichen Antrag Sillas wehrt, wird er dem Kerker und schließlich dem Tod überantwortet. In letzter Minute entlässt der Tyrann Cecilio samt Geliebte in die Freiheit.
Amadé dramatisiert die unheilschwangeren Stimmungen und menschlichen Passions with new and surprising musical turns. On this opening night of the 26th December 1772 guessed it, where will the journey of the other sixteen year olds will, away from artificial structures, to living situations, with the dramatic conflicts of the characters on stage no less dramatic involvement of the people identify with themselves and others. The murder of Agamemnon, a classic example ...





KV 135: Ouverture
KV 135: 11th Aria A se il crudel periglio



Aria
GlUNIA
Ah se il crudel periglio
Del caro ben rammento
Tutto mi fa spavento
Tutto gelar mi fa.

Se per si cara vita
Non veglia l'amistà                                  
Da chi sperare aita
Da chi sperar pietà?  


Ach, wenn ich mich an die grausame Gefahr
Meines Geliebten erinnere,
Wird mir alles zum Schrecken,
Alles läßt mich erstarren.

Wenn die Freundschaft
Nicht über seinem teuren Leben wacht,
Von wem ist dann Hilfe zu erhoffen,
Von wem Erbarmen? 


When l think of the terrible danger
Of my beloved
l am seized with horror,
My blood turns to ice.

If friendship does not watch
Over his precious life,
Where can l look for help,
Where can l look for pity?













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26. Februar

Mozart K. 126 Il sogno di Scipio

Odyssey 4, 484-511

Menelaus reports from the island of Pharos. god Proteus Menelaus told him about the return of the other Greeks:
Only two commanders were killed, one captured alive, mittten in the sea.
Ajax have too much boasted to the gods when he was saved in spite of a storm. Poseidon split angry with his trident the rock gyräischen and the part of the cliff, sat on the Ajax, sank in the sea , Ajax was drowned in the salty tide.

Amadé sits on the short opera II sogno di Scipione, a drammatica Serenata, designed for performance in the Salzburg Residenz of the Prince Bishop for the priesthood anniversary . As Schrattenbach dies, successor to the Colloredo plan occurs, Mozart works flexibly and quickly to the Serenata and changes their dedication.
The setting of the libretto by Metastasio - the material he has from Cicero - gets rid of Mozart more thanks to routine than artistic creative will of the sovereign with the appointment of the young composers -. Now salaried - archiepiscopal second conductor.

The overture leads to a marked D-major Allegro in most of oboes and flutes specific Andante in the first scene.
the terrible . Dream of the Roman commander Scipio still struggle for recognition, mind and soul as immortal Scipio presented - as Telemachus and Amadeus - is forced to decide: he wants - who does not? - Remain in heaven ...
Constanza out at the cliff: it was only resistant (Poseidon at Ajax was stronger!) ...

KV 126: Ouverture
KV 126: 9 Aria Biancheggia in mar lo scolio

Aria
CONSTANZA
Biancheggia in mar lo Scoglio,
Par che vacilli, e pare
Che lo sommerga Fatto il mare
Maggior Tues sé.

Ma dura tanto a orgoglio
combattuto Quel sasso;
e 'l mar tranquillo e il basso
poi gli lambisce pie.


White bathed, the rock seems to waver
In the sea. Seems to devour

him the towering seas.

But the embattled stone
Does stood with pride.
The flat, calm sea
then licks his feet.


In the ocean the rock turns white
and appears to waver, and it seems that
the sea, towering above it,
may submerge it.

But that battered stone
proudly survives;
and then the sea,
calm and quiet,
laps its feet.














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25. Februar

Mozart KV 136 (125a) Divertimento in F major

Odyssey 4, 462-483

Menelaus tells Telemachus when visiting in Sparta on his experiences at Pharos of Egypt. have
He and his men mit dem Trick Eidotheas den Proteus zwischen seinen Robben überwunden. Der alte Gott redet mit ihnen.
Menelaos fragt, warum er ihn hier festhalte und wie er endlich nach Hause gelange.
Es sei, so Proteus, Ratschluss von Zeus und der anderen Götter gewesen, weil er schneller als die anderen Schiffe heimsegeln wollte. Nun müsse er zuerst den Nil hinauffahren und mit Opfern alle Sterblichen sühnen.

Auch Mozart muss durch die Salzburger Zeit - er fügt sich,  schreibt Sinfonien und Divertimenti, sucht individuelle Audrucksmöglichkeiten, die own musical language. Divertimento K. 136, by Menuhin, Staribacher and Greenberg played brilliantly, makes us feel the breadth of this music deeply.

K. 136: 1 Allegro
K. 136: 2 Andante
K. 136: 3 Presto















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24. Februar

Mozart KV 110 (75b) Symphony No. 12 in G major

Odyssey 4, 425-461

Once the demigod Eidothea with Menelaus, we are told that further has agreed on the beach at Pharos, pick him up the next morning to the Grotto, she jumped back into the sea.
The next morning appeared Eidothea again, brought four seal skins and wrapped Menelaus and his three companions on a beach. The stench of the seals they had almost killed them stressed the goddess ambrosia under their noses.
The seals were encamped around them, at noon came the old Proteus, was one of the seals, and got under it.
asleep as he, she pounced on him. He transformed himself into a lion, leopard, dragon, boar, and waterfall. They held on to him anyway. At last he was tired and began to talk.

So it must have sounded in Mozart's ear when he Symphony in G major (KV 110) . has been completed. Amadé signs

"Sinfonia dell Sgr. Cavaliere Amadeo Wolfg. Salisburgo nel Juglio Mozart in 1771"

The symphony is breathing a new spirit. Not only by the amount, but also by the au ß erordentlichen care here, with the Mozart prepares every vote, this orchestral work differs from all previous. The Ba ß serves not only as a harmonic foundation, but goes as sovereignty of ä n set voice in a musical event sent from the counterpoint of the structured life of their own inner voices exp ä is gt.

How did it sound like the old Proteus in the ears, and his demonstrated Straribacher Mozartband - unmistakable: Terrific!

KV 110: 1 Allegro
KV 110: 2 Andante
KV 110: 3 Menuetto
KV 110: 4 Allegro (Mozart Band)

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23. Februar

Mozart KV 113 Divertmento Nr. 1 Es-Dur

Odyssee 4, 394 - 424

Menelaos erzählt dem Telemach in Sparta von seinen Erlebnissen auf der Rückfahrt von Troja. Am Strand der ägyptischen Insel Pharos verriet ihm die Halbgöttin Eidothea, wie er den Meergott Proteus überliste:

Kurz nach der Mittagsstunde steige Proteus aus dem Meer und ruhe in einer Grotto surrounded floßfüßiger seals. There she would take him the next morning with three of his bravest comrades. Proteus number his seal and place then in the midst of them to sleep. At that moment they should throw themselves on him and finding out how much he was defending itself, too. But if he say a word, she should abandon him and question him.

such difficult tricks not like Proteus Amadè be making his second Italeinaufenthalt Apply to be inspired. Mozart used in any event since then - like the first time in Divertimento No. 1 - Clarinet. There, he puts them together against the strings and horns.

KV 113












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22. Februar

KV 112 Mozart Symphony No. 13 in F major

Odyssey 4, 364-393

Menelaus tells Telemachus to the next how he fared on the island of Pharos of Egypt.
On the beach he met the demigod Eidotha. She explained that the Egyptian god Proteus, it maintained. If he has to list that he could learn from him the right course and all that had happened at home.

As Menelaus of Proteus learns the course, Mozart has learned everything important in Italy for composing.

Amade writes already there piece by piece. his Symphony No. 13 in F Major, KV 112, 1771 in Mailand entstanden, steht im strengen Sonatensatz, ein monothematisches Andante und ein von Jagd-Motivik geprägtes Finale im Gigue-Rhythmus.

Das Allegro klingt, wenn es die Mozartband spielt, wie heute - und wie immer: nach Amadé ...

KV 112: 1. Allegro
KV 112: 2. Andante
KV 112: 3. Menuetto Trio
KV 112: 4. Molto Allegro (Rondo)












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21. Februar

K. 111 Mozart Ascanio in Alba

Odyssey 4, 332-363

Telemachus in Sparta.

enraged Menelaus of the suitors, Odysseus wishes to bring about the strong, who spoil their fun suitors would quickly and thoroughly.
him even further, Menelaus, were on the way back from Troy to Sparta, the gods 20 days on the island of Pharos, far out in front of the mouth of the Nile held. He was locked in a safe harbor, because never fair wind to continue sailing, came the supplies were running low.

Archduke Ferdinand d'Este and Princess

Archduke Ferdinand was also a free, 14 Child of Empress Maria Theresa, his game with Princess D'Este, but was resolved by diplomatic means, true to the motto Bella gerant alii, tu felix Austria nube. The seventeen-year to with Maria Beatrix of Este, the only daughter of be the Prince of Modena, married to - he is engaged to her earliest since childhood and they shall inherit the principality. For this ceremony composed Mozart - under the mediation of the Milanese Governor General Earl Firminan - a "Serenata teatrale " to a libretto by Parini court poet: it is the information transmitted in the ancient mythology representation of the "Wedding of the Year". Mozart had been with Mitridate already successful and now writes the young master, as always in a hurry (the libretto is very late) that actually unplayable piece from the time of Odysseus. There is more applause than hatred (hatred: "This boy is make us forget all! ") main piece for the wedding. Ascanio in Alba five plays will be performed. Leopold and Wolfgang Mozart, a second email with your own coach Gene Italy are down.
designed Wonderfully safe and effective in the Amadeus lyrical character of the idyllic scene, and the desired treat. A work of art with beauty, character and special beauty.

Unfortunately, Mozart's plan does not. The work has pleased the audience , the archduke will show weighed, but Maria Theresa was raised across: She writes the son from "useless people who distance themselves running around in the world as beggars".

The Italian's dream is over, the disappointed artist will be returned to Salzburg reality where Prince Archbishop Hieronymus Count Collo redo after the death of Archbishop Sigismund of Schrattenbach assumes the regency, he is the last to drive him in 1800 French ...

The marriage of Ferdinand Karl and Maria Beatrice runs by the way happy. 1780 Napoleon sells but also him and his family from Lombardy, they go to Vienna.

KV 111: Overtura

K. 111: 16 Aria Ah, di si Nobil alma

K. 111: 22 Aria Al mio ben Wed Veggio avanti
KV 111: 32: Terzetto nodo più sacro

16th Aria
ASCANIO
Tues Ah sì Nobil alma
Quanto vorrei parlar.
Se le virtu di lei
Tutte Saper pretendi

Chiedile a questo cor. Solo un momento
in
Lasciami calma, o Diva,
Lasciami e poi Di tanti suoi pregi
Potro parlarti allor.

Oh, how much I should like to say
About this pure soul!
Who know all her virtues
required.
question this heart.

Just a moment reflection
Let me, oh goddess,
And all of their high values
Will I be able to call.



aria 22
ASCANIO
Al mio ben Wed Veggio avanti
Del suo cor sento la pena e la legge
ancor Frena Wed.
Ah si il crudo Rompa laccio
Abbastanza soffrì il cor.

Se pieta dell'alme amanti
Bella Diva, il sen ti move,
Non voler fra tante prove
Agitarle ognor cosi.

the love I see before me,
Feel the pain in her heart. But
holds me back the ban.
The hard band to break I want.
Enough already suffered the heart.

können Liebe, oh schöne Göttin,
Mitleid rühren Deine Brust zu, nicht durch neue Prüfung
Bring
Neuen Aufruhr in ihr Herz.


32 Threesome
ASCANIO
What a pleasure I feel in
is blessed day.

SILVIA
gods! Heavens! What a great time
How nice happy
My fear was over.

Ascanio, SILVIA E Acestes
most sacred ground node
More sweet love is not
Ouanto compassionate Goddess Welch hohe Freude ich fühle
An demselbigen Tag.

SILVIA
gods, gods! What a moment.
ended, as the fear
In beautiful peace.

ASCANIO, SILVIA AND Acest
No band on earth more sacred
And no sweeter love.
you, merciful goddess,
we owe so much.
dobbiamo Quanto a te.

action
goddess Venus appears with his entourage and his son Ascanio in Alba. Venus Ascanio says, he should govern here. Ascanio asks Silvia, a nymph. The priest Acest is busy with wedding preparations. The shepherds are compared with Fauno Ascanio from a stranger. He explained Fauno, er wolle hier bleiben. Aceste teilt den Hirten mit, dass heute der Sohn des Aeneas sich mit Silvia vereinen werde. Silvia verrät, dass sie schon lange das Bild eines jungen Mannes vor sich sehe, den sie liebe. Der Priester: dieser Jüngling ihrer Träume sei unzweifelhaft Ascanio. Venus verspricht ihrem Sohn, dass hier im Tal bald eine neue Stadt, Alba, entstehen werde.  Silvia erkennt Ascanio sofort als den Fremden ihrer Träume. Fauno weist "den Fremden" an, über die Hochzeit und die zukünftige Stadt zu berichten. Silvia denkt, der Fremde sei nicht Ascanio und ist tief betrübt, schickt sich aber in ihr Schicksal. Bei der Hochzeit vereint Venus die Liebenden
Ascanio in Alba ist a typical allegory is in the Ascanio for the Archduke, Venus Maria Theresa, the bride, Beatrice, symbolized by the Silvia you have to pass a test first.











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Unsere Tipps auf N 24

Waiting will not help not

promotion comes naturally

Britta Schmeiser, dpa, N24

The motto "If I'm doing my job well, I will be promoted at some point "rarely leads to the goal. Who wants a career, needs a plan and reaching out towards his boss.

to interview preparation should include a simuliertes Gespräch gehören. "Da ist man zumindest annährend in der Situation, und es kommen möglicherweise unerwartete Antworten, Fragen oder Bemerkungen, die dann schulen", sagt Bergauer. Nicht unterschätzen sollte man die unmittelbare Zeit vor dem tatsächlichen Gespräch mit dem Chef. "Man kann das nicht mal eben machen, deswegen sollte man dafür sorgen, dass man in einer positiven Stimmung ist, konzentriert und nicht gerade von einem anderen Termin dahingehetzt kommt", rät Bergauer.

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aus der ARCHITEKTURZEITUNG

Karrierefaktor Souveränität

Der Lebensplan für mehr Souveränität

Wer einen Plan hat, weiß, was er tut: Aus dem Kopf, aufs Papier, in die Realität. Hätten wir grundsätzlich keinen Plan, würden wir wohl ziellos durch das Leben treiben, wie ein steuerloses Schiff ein Spielball der Wellen und des Windes ist. Ein Plan steht für die Vorstellung einer zukünftigen Handlungsabfolge (Planung). Ob der Jahresplan eines Unternehmens, der persönliche Lebensplan oder der Konstruktionsplan für eine Maschine – Pläne weisen uns nicht nur selbst den Weg, sondern geben auch anderen Menschen die Möglichkeit, an der Realisierung eines Vorhabens erfolgreich beteiligt zu sein. Souveränität bedeutet, zu planen, dabei aber auch ebenso souverän jederzeit Kurskorrekturen vornehmen zu können.


  
Dass der Weg zur eigenen Souveränität sehr unterschiedlich verlaufen kann, zeigt der Autor anhand Portraits von Persönlichkeiten aus den unterschiedlichsten Bereichen,
 wie nachfolgend beim Tirschenreuther Architekten Peter Brückner (Buchauszug):


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Jetzt unbedingt am Ball bleiben......

survey of the most important resolutions 2011

Good intentions are for the new year such as vanilla for Christmas. Both are often not available long: But just as quickly as the delicious vanilla eat, we often forget our good intentions. Even in the first week of January, we often fail miserably. It goes week after week without us closer to our goal ... two months, one quarter -. and with advancing year, we always remind us less of our intentions and plans

Our survey shows the thematic priority of five different resolutions - Multiple answers were possible.

want as "care health" nearly three quarters of respondents strongly on their. Followed by almost half, the "living values" as the intent for this year called. With slightly more than 30% were "bear responsibility" sowie „Karriere starten“ auf Platz drei.   Und immerhin ein Viertel will sich „sozial engagieren“. „Gute Vorsätze sind wichtig und in erster Linie ein commitment mit sich selbst. Doch manchmal nehmen wir uns einfach zu viel vor“, weiß Theo Bergauer vom Institut für Souve­ränität, „In unse­rer Konsumgesellschaft ist es in, immer mehr zu wollen. Dabei wäre es durchaus sinnvoll, lieber einmal etwas weniger zu ma­chen. Diese Bescheidenheit hilft auch hier, also viel­leicht lieber nur einen oder zwei Vorsätze, dann können wir bei diesen leichter am Ball bleiben.“ Noch stehen wir am An­fang dieses Jahres.   The weeks and months that lie ahead of us, offer us time and space, our intentions into reality. More easily succeed in doing this with the following three tips:

first Introducing realize

To intentions, we must use our positive imagination. By writing down and think again so regular activates our subconscious. But imagining is not enough. We need to concretely work on our intentions, divide our big goals into smaller steps and call us again and again to mind: What exactly do I have planned? Wo stehe ich gerade auf meinem Weg? Wie muss ich mich ausrichten, um möglichst effektiv und effizient meinen Vorsatz einzuhalten?

2. Fokussieren

Um Vorsätze zu verwirklichen müssen wir unsere Kräfte bündeln, uns – wie mit einem Brennglas – auf das Wesentliche kon­zent­rieren. Was will ich erreichen? Unser Vorsatz ist unser persön­liches Navigationssystem, das uns führt und leitet, die Ge­samtstrecke in Etappen einteilt, vor Staus warnt und uns manchmal auf Aus­weichrouten führt – bis wir unser Ziel erreicht haben. 

third Perseverance

Sometimes we go to our resolutions so still full of energy, moving day, working on our goal. In this high stage everything is going well and we feel that no one can hinder us. But what happens if there is not as fast or even back to the top goes down a bit? Then it is to show perseverance. It requires some will power to make resolutions to always remember this and to regularly work on it.

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by poets und Dämmern

Dichter und Dämmer auf Tournee

BASF Wall Systems und prominente Gastredner erläutern auf großer Deutschlandtournee die Potenziale der energetischen Sanierung

Vom 9. Februar bis zum 5. Mai werden die Bausanierungs- und Wärmedämmspezialisten der BASF Wall Systems an sieben verschiedenen Standorten in ganz Deutschland Verarbeiter über aktuelle Möglichkeiten des Energiesparens aufklären.

Bei diesen ganztägigen Veranstaltungen dürfen sich Malerfachbetriebe, Stuckateure und Bauspezialisten auf jede Menge Tipps und Informationen freuen, wie sie ihre Kunden am besten von the benefits of a thermal insulation composite system convince. The tour's motto "by poets and twilight" shifts the two main disciplines, sealing and thermal insulation in the center. "Home owners usually know very little about it," said Heiko Faltenbacher, Head of Marketing & Communications at BASF Wall Systems, by relying on a specially conducted survey. "That's why we want to supply the processors facts and ideas in order to score points with consumers with better information campaigns in terms of building renovation and insulation composite systems as possible."

support durch Buchautor und Spitzensportler

Da sich viele Handwerker bei der Überzeugungsarbeit am Kunden schwer tun, hat sich BASF etwas Besonderes einfallen lassen. Mit Gerd Schönfelder verrät der erfolgreichste Athlet in der Geschichte der Paralympischen Winterspiele , wie sich ehrgeizige Ziele trotz vermeintlicher Nachteile erreichen lassen. Der Buchautor und Souveränitäts-Experte Theo Bergauer gibt darüber hinaus zahlreiche Tipps zur Kundenbetreuung. Die Tournee führt von Wunsiedel (9.2.) über Rendsburg (Schleswig-Holstein, 22.2.) und Köln (24.2.) nach Erbach (Hessen, 30.3.) sowie Stuttgart (31.3.), anschließend nach Berlin (4.5.) And ends in Zwickau, Saxony (5.5.).

from left: Marketing Manager Heiko Faltenbacher BASF, Gerd Schoenfelder Disabled Athlete of the Year 2010, Theo Bergauer b.wirkt1, CEO Joachim Fürbringer BASF Wall Systems

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