9. März Mozart KV 166 (159d) Divertimento No. 3 in E flat major ; KV 186 (159b) Divertimento No. 4 in B flat major Odyssey 4, 842 - end the straits between Ithaca and Samos, on the small island Asteris double in the local harbor, conceal the suitors, Telemachus, to ambush and murder
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| Arkoudi: Privatbesitz eines südafrikanischen Konsortiums |
1773 komponiert Amadé im Auftrag eines Mailänder Gönners zwei Divertimenti : KV 166 und 186 für zehn Bläser. Die fünfsätzige Form ist insofern ungewöhnlich, als zwischen den schnellen Ecksätzen zunächst ein Menuett und darauf zwei langsame Sätze folgen. Mozart verwendet im Schlusssatz KV 186 und im 4. Satz von KV 166 Skizzen einer Ballettmusik Josef Starz. The third movement of K. 166 is not in the substance of Amadeus, but the middle movement is a three-movement symphony of Italian composer Giovanni Paisiello (1740-1816). Transactions of the kind we dedicate today (especially after the fall of a noble young politician from the summit of all competitors in the shade alternate popularity, in the abyss of the impostor and Plagiateurs) special attention - sometimes not without a frown, because plagiarism is criminal theft of intellectual property.
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| Veritas vincit |
In Mozart's early days, the idea of \u200b\u200bwork as a distinctive intellectual original shape is not formed. The relationship to the creation of another not determined awesome distance, but normal Umgangsart. Bach, Handel and Telemann are recycled not only its own factories for new purposes, but also themes and whole parts of compositions by other composers in their own works acquired and processed, not in the least to the idea of \u200b\u200bcoming to do something wrong. This lack of concern in dealing with foreign songs just offered the chance to deal with creative works of other composers, a way that prevents the modern copyright of the music almost completely.
KV 166: 1 Allegro KV 166: 3 Andante grazioso KV 186 .
